![]() The Filmmaker Toolkit podcast is available on Apple Podcasts, Spotify, Overcast, and Stitcher. To hear the full conversation, subscribe to the podcast below: In the video above Flack breaks down the new challenges of mixing the sound-altering properties of bullet time with dialogue and sound effects for the first time, while Davis analyzes how he created the warp sound of Thomas re-entering the rabbit hole in a key early action scene. From bullet-time to the space crafts, from the AI creation of the synthients and sentinels, even the digital code of the matrix itself evolved story-wise in the 60 years - story-wise - between “Revolutions” and “Resurrection.” Yet also what evolved was filmmaking technology and the process of director Lana Wachowski, who according to Flack embraced a more open approach to ADR and dialog editing, such that she would often mix the best visual performance with the best sound performance, regardless of whether they were different takes. ![]() ![]() While on the podcast, Davis and Flack broke down how so many “Matrix” sound staples evolved with the fourth chapter. ![]()
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